In Jeff’s shadow: Watkins, music thrive at the Southern
published 5:04am Saturday Nov 21, 2009
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PHOTO BY STEPHANIE GARCIA
PHOTO BY STEPHANIE GARCIA
It’s a tough time to open an independent music venue. Within a one-block radius stand two charitably-endowed non-profit halls (The Paramount and the Live Arts building) not to mention the soon-to-open project from music mogul Coran Capshaw, the Jefferson Theater. If nothing else, the Southern is a bold move in an unforgiving environment, one that even buried a similar business in the exact same space just a few months prior.
But on Thursday, November 19, the draw of headliners singer-songwriter Sara Watkins (of the Grammy Award-winning trio Nickel Creek fame) and bluegrass group The Infamous Stringdusters was just as strong as that of venue openers The Books way back when The Southern opened its doors on September 25. Watkins charmed the room with her fresh-faced, sunny vocals and each plink of her ukulele was as distinct as a pin dropped in an empty pan. The room was packed— so much so that the accumulated heat from the mesh of bodies was almost overwhelming. But without the clutter of art and books that had previously defined Gravity Lounge, the rechristened The Southern allows audiences to focus on the reason the show was sold-out: the performances.
Despite the potential facelessness of the dark, crowded room, Watkins urged audience participation throughout her set— encouraging “all whistlers” to come to the front and provide harmonies for one song and politely asking everyone to sing along for the finale. The community feel rendered the intimacy of the evening markedly distinct from more formal concerts at larger venues. Watkins and her brother, former Nickel Creek guitarist Sean, mingled with the crowd between seats, while various members of the six-piece Stringdusters roamed the cafe area before heading on-stage. The diverse audience— a range of ages and wardrobes from cowboy hats and ripped t-shirts to starched button-ups and skinny jeans— barely took note of the entertainers prowling in their midst.
“This is the first stand-up crowd we’ve played in a long time,” whispered a hoarse Watkins. “There was lots of energy, a great turnout.”
Two months in, the greenhorn venue has transformed from an unfinished, dusty room with a mini-fridge of canned sodas to a slick yet cozy music hall, complete with a new, oft-crowded bar with a concise beer list, late-night munchies, and plenty of open space for fans to pack. Best of all, the PA system offers a crisp, clear sound, allowing the music to wash over audience members unhindered— the biggest draw for any live music fan.
“We probably spent more than we should have on it,” says co-manager Andy Gems. “Gravity Lounge used to win ‘best listening room.’ I want that back.”
There may be other music venues, but this is the best, for the type of music they’re showcasing–hope it succeeds. Folk music needs a more intimate setting and this is it. Thanks for making this happen.
While I am thrilled that the Southern is open, I miss the coziness and intimacy of the old Gravity Lounge space. The new design may have better acoustics, but the barren walls and bland stage design make the new venue feel sterile.
Barren, Bland, Sterile…I agree. Sounds better with the new gear though. Part of what makes a good venue is the vibe . Yes the space contributes to that. Remember the Sat. Ballroom? How bland can you possibly get. The Gravity/Southern just isn’t that great of a space with the low ceilings, obstructed views… better than nothing tough. Though lacking in personality, finally a little club that is taking the sound sytem somewhat seriously.
Where is the review of the Stringdusters set? Did you see it? It was fantastic. High energy and everyone was loving it. They are an extremely talented group of musicians and they put on a rockin’ show.
It is too bad that so many reviews in the Hook always focus on “music mogul Coran Capshaw” and what he is up to at the moment. We get it. Everybody knows. Focus on the music when you are writing a music review. Why is the Southern in Jeff’s shadow? This show was a fun and sold out event, seems like a great start for the venue.
I like more than I dislike about the redo. First and foremost, the sound is much better and the separation of the listening room from the cafe/bar does alot to focus attention on the music–the removal of the books and the opening up of the house right side wall is an improvement as well. The bathroom situation is also MUCH better.
On the downside–the drab grey paint job and lack of any ornamentation does give the place a sterile feel. The foam sprayed on the ceiling supports(fireproofing?) makes it look like a barnacle filled boat structure–but neither are that big of a deal. The cafe looks like a train station sandwich shop and the bar area is hard to navigate when the room is full. If they would dim the lights in there and jazz it up a little with some artwork–it would go a long way to creating a music club feel.
Also–there is only ONE color a stage area should be painted–if they don’t want to paint the brick, at least put black fabric on it. The stage also gets kind of junky looking with cases and equipment piled up in the back–paint the walls of the stage black–it would look much better imho. Glad to have the venue in town.
Both Watkins and the Stringdusters were great–hopefully we will see them each again.